THE TRIANGLE OF PERSIAN MYSTIC POEM ON THE TOP OF THE HISTORY OF THE WORLD LITERATURE

THE TRIANGLE OF PERSIAN MYSTIC POEM ON THE TOP OF THE HISTORY OF THE WORLD LITERATURE

Kakarash, Farhad

The beginner of mystic poem in Persian and Iranian literature is Sanā'ī Ghaznavi , and after him Attar Nishabouri could bring mystic poem to perfection using codes and unique symbols. This particular language culminated in Mowlavi’s poem, such a climax which became the sample of mystic poem in the literature of Iran and the world. Forming the triangle of mystic poem between sixth and seventh Hejri centuries, these three poets have been not only on the top of Persian literature, but also the literature of the world and they still shine at this zenith. A glance at the impact of the mentioned triangle (Mowlavi, Attar and Sanā'ī’s Masnavis) over the literary works of famous poets in the literature of the world, one can see the similarity of intellectual styles in educative thought and Gnostic influence, where the trace of this great triangle is seen in the recent researches of western literature and philosophy. Using descriptive-analytic research method, the author tries to study the mentioned points in brief while getting to some important results: the most important element and similar intellectual feature of those three great Persian poets with the great poets of the world in the doctrines of innate concepts is the high frequency of today’s literal researches of the west and their theorists related to this Persian mystic triangle, which at all shows the triangle of mystic literature on the top of the history of the world literature. Keywords: Mowlavi, Attar, Sanae , literature, mysticism , world

Conference or Workshop Item
PeerReviewed

2014

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