<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/1485">
    <dcterms:title><![CDATA[DOĞAL AFETLERİN KLASİK TÜRK ŞİİRİNE YANSIMASINA BİR ÖRNEK: SÂBİR PÂRSÂ DİVANI’NDA DEPREM İLE İLGİLİ DÖRT TARİH MANZUMESİ]]></dcterms:title>
    <dcterms:abstract><![CDATA[Anahtar Kelimeler: Klasik şiir, Sâbir Pârsâ Divanı, afet, deprem.  ÖZET  Hayatı her cephesiyle kucaklayan klasik Türk şiirinde, doğal afetlerin izine de rastlamak mümkündür. İnsanı derinden etkileyen doğal afetler, klasik şiirin içsel bakış açısı ile divanlarda işlenmiştir. Bu afetler karşısında insanın aczini dile getiren bu manzumelere örnek olarak Sâbir Pârsâ Divanı’nda yer alan dört tarih manzumesi bildirimizin konusunu teşkil etmektedir. Biri Arapça, biri Farsça, biri de Türkçe birer beyitlik üç şiir ile beş bentlik bir müseddesten ibaret bu manzumelere konu olan depremin tarihi 1069 hicri 1658–59 miladi tarihini göstermektedir. XVII. yüzyılda sosyal sıkıntıların yanı sıra deprem ve yangın gibi doğal afetlerin de sıklıkla görüldüğü tarih kitaplarında kayıtlıdır. Sâbir Pârsâ ile aynı devirde yaşayan Cevrî Dîvânı’nı neşreden Hüseyin Ayan da Na’îmâ Târîhi’nden şunları nakleder: “ 1642 M. (1052H.)’de İstanbul’da büyük bir zelzele olmuş, bu hadise “kıran”a bağlanmıştır. 1645 M. (1055 H.)’de güneş ve ayın tutulmaları da “melhame”lerin kayıtlarına göre uğursuz sayılmıştır. 1648 M. (1058 H.)’deki İstanbul ve civarını sarsan büyük zelzele de “uğursuz” olarak yorumlanmış ve devletin başsız kalacağına işaret sayılmıştır.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[International Burch University]]></dcterms:publisher>
    <dcterms:date><![CDATA[2013-05-17]]></dcterms:date>
    <dcterms:extent><![CDATA[2209]]></dcterms:extent>
    <dcterms:identifier><![CDATA[ISSN 2203-4548     ]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/2453">
    <dcterms:title><![CDATA[Doğduğunda Ali Rıza, Yaşamında Ali Kemal ve Son Günlerinde Artin Kemal Lakabı ile İnfaz Edilen Türkçe Sevdalısı Bir Muharrir]]></dcterms:title>
    <dcterms:abstract><![CDATA[Ali Kemal, Türk edebi ve siyasi hayatının en ilginç simalarından birisidir. 1867’de İstanbulda domuştur. Gerçek adı Ali Rıza olan Ali Kemal ilk eğitimine Hacı Kadın mektebinde oradan Kaptanpaşa Mekteb-i Rüşdiyyesi ve son sınıfa kadar Gülhane-i Rüşdiyye-i Askeriyyesi’ne gider. Bu okuldan da devamsızlıktan atılır. Okuldan atılması sebebiyle yatılı okula Mektep-i Mülkiyye’ye kayıt olur.1886’da Mülkiyye yıllarında arkadaşlarıyla  Gülşen adlı dergi çıkarır. Ali Kemal, Fransızcasını geliştirmek için dördüncü sınıfta Paris ve Cenevre’ye  gider. Eğitim hayatı gibi edebi ve siyasi hayatıda çalkantılı geçen Ali Kemal, siyasi meseleden dolayı Halep’e sürgün edilir. Ali Kemal, beş yıl aradan sonara  tekrar İstanbul’a dönerse de izin almadan döndüğü için sürgün edileceğini duyar ve Paris’e kaçar. Burada Jön Türklerle birlikte hareket eder ve İkdam gazatesine yazılar gönderir. Hüseyin Cahit Yalçın ile kalem münakaşasına girer. Padişah Abdülhamid Sani ile anlaşınca 1908’de İstanbul’a döner.İkdam’ın başına geçer ve bir sure sonra İttihat Terakki ve Dr.Behaaddin Şakir ile münakaşaya girer ve 31 Mart vakası ile beraber Parise tekrar kaçar.     Ali Kemal 1912 de tekrar İstanbul’a döner.Yazı hayatından asla kopmayan birisi olarak istanmeyen bir adamdır. Viyanaya sürgün edilir. Üç ay sonra tekrar İstanbul’a dönen Ali Kemal, Peyam, Peyam- Sabah dergi ve gazetelerini çıkarır.Kalemini keskinleştikçe karşıt görüşdeki siyasetçi ve muharrirler tarafından daima istenmeyen mualif bir kalem  olarak görülür.Bu şekilde anılmasına rağmen herkesçe kabul görülen bir yanı vardı ki en azılı düşmanı bile bunu kabul eder. Türkçe ve Türk dilinin doğru kullanımı hassasiyeti ve dile verdiği önem.Hatta ömrünün son senelerinde yakın çevrelerince bilinen Türkçe bir lügat çalışması ile meşgul olduğudur.    İstanbul yönetimi mualif kalem; Ankara ise Artin Kemal olarak adlandırdığı, Türkçe sevdalısı bir muharrirdir. Ali Kemal, bütün olumsuzluklara rağmen Türkçe hususunda üslup hassasiyetini savunması ve kaleminin bol,çabuk,sürekli ve tashihsiz yazması Türk diline  olan hakimiyetinin bir göstergesidir. Ali Kemal’in infazına kadar süren edebi ve siyasi hayatı içerisinde ki safhaları ve Türkçe sevdasını, günümüz eğitim ve edebiyat camiasına vermeye çalışdık.   ]]></dcterms:abstract>
    <dcterms:date><![CDATA[2012-05]]></dcterms:date>
    <dcterms:extent><![CDATA[826]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/2695">
    <dcterms:title><![CDATA[DOMESTIC MOTIVATION IN METAPHORICAL  CONSTRUCTIONS]]></dcterms:title>
    <dcterms:abstract><![CDATA[The main focus of this paper is a comparison of cultural perceptions and motivation in  metaphoric constructions reflected through phraseology used in American English and  Serbian languages. Phraseology used in these languages is seen as collective wisdom  shaped through centuries. The premise of the analytical methodology used in the paper is  that there is a strong correlation between cultures and phrases that they use, or, in other  words, the phrases used in a culture are not mere linguistic creations but an archetypal  engendering of beliefs, thoughts, history and cognitive horizons and limitation.  The paper is comprised of three main parts whose sequence is arranged so that the first  part elucidates the basic concepts underpinning the function and notion of phraseology.  Different views are provided in an attempt to induce a comprehensive framework theory  which would encompass and reflect all the properties of phraseology and usher the reader  into the next part.  Part two looks closely into a substantial number of American English common  phraseologisms and almost as many Serbian ones. They are compared and segregated into  groups in a way that makes the inference that follows easier and more exact.  The phrases having been analyzed and statistically processed, conclusions are laid out in  the last part about the most apparent similarities and differences existing in the two  languages.]]></dcterms:abstract>
    <dcterms:date><![CDATA[2011-05]]></dcterms:date>
    <dcterms:extent><![CDATA[44]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/1138">
    <dcterms:title><![CDATA[DOMETI I IZAZOVI USTAVNE REKONSTRUKCIJE FEDERACIJE BOSNE I HERCEGOVINE]]></dcterms:title>
    <dcterms:abstract><![CDATA[Daytonski Ustav BiH, konstruiran da zaustavi rat, postao je ključni  razlog onemogućavanja bržeg i stabilnog razvoja zemlje. Favorizovanjem  nacionalnih kolektiviteta bitno se udaljio od savremenih demokratskih  standarda. Pokušaji međunarodne zajednice da potaknu nacionalne lidere da  modernizuju ustavni sistem pokazali su se kontraproduktivnim. Zato je  američka administracija odlučila da podrži napore civilnog društva i  akademske zajednice da predlože poboljšanja ustavnog sistema Federacije  koji je ocjenjen kao slabiji dio ustavnog sistema zemlje.  Expertna grupa koja je predložila cjelovit tekst novog Ustava  Federacije suočila se sa brojnim izazovima. Početna dilema je da li je moguće  poboljšavati dio ustavnog sistema ako je nepromjenjen Ustav zemlje. Ključni  izazov je bio uspostavljanje optimalne ravnoteže između interesa građana i  interesa nacionalnih kolektiviteta. Izazov je uspostavljanje institucionalne  nacionalne razvnopravnosti i optimalne teritorijalne organizacije Federacije.  Neodložan je zahtjev podizanja efikasnosti institucija i smanjivanje njihovih  troškova. Ponuđeni su odgovori i na brojna druga pitanja.  Stručna i šira javnost je pozitivno reagovala na predložene promjene.  Prijedlozi su u parlamentarnoj proceduri. Ostaje da se vidi da li će različite,  često suprotstavljene, političke opcije u Parlamentu Federacije imati kapacitet  da se usaglase o ponuđenom predlošku.  Ključne riječi: Ustav BiH; Ustav Federacije BiH; građanski princip;  nacionalna ravnopravnost; teritorijalna organizacija; efikasnost institucija.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[Pravni fakultet Univerziteta u Tuzli i Centar za društvena istraživanja Internacionalnog Burč univerziteta]]></dcterms:publisher>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:extent><![CDATA[3053]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/1864">
    <dcterms:title><![CDATA[Don DeLillo’s White Noise: Whitere is the Postmodern Consumerist Condition Taking the People?]]></dcterms:title>
    <dcterms:abstract><![CDATA[Key words: consumerism, human identity, postmodern, White Noise, Don DeLillo  ABSTRACT  DeLillo’s sturdy, lyrical, precise novels are considered classics of American postmodern literature. First published in 1984, White Noise by Don DeLillo is concerned with the emergence of technology, the power of images, popular culture, and the pervasiveness of the media. The influence of DeLillo’s brief experience with advertising is clearly observed in many of his works, particularly White Noise, which deals with product placements and commercials and mirrors the author’s sensitivity to the power of consumerism. Consumerism also has serious effects on people&#039;s identity; it has the capability to shape it with possessions: what a person wears, where one lives, to what extent does one fit the social and political stereotypes of one’s gender all culturally determine who one is. This postmodern identity gets complicated by technology—since the dialogue of television affects the people&#039;s consciousness, they relate their lives more to the media than to reality per se; people use the media to specify other groups of people as the “enemy” or as the “other.” DeLillo maintains that consumerism and technology have oddly disembodied the physical body; he implies that materialism is the basis of human identity. DeLillo views the human subject as being further disembodied by the penetration of death and disaster in postmodern American culture. He also sees that technology has complicated the human body and identity to such an extent that everything must be deciphered, even ourselves. White Noise is concerned with the extremes and limits of this culture. According to DeLillo, in the late twentieth century, consumerism and materialism have become the mediums through which people identify one another in life as well as death. In White Noise, Don DeLillo presents a clear picture of the postmodern toxic world in which people are not provided with any real certainty, but rather with a fear of death and fatal diseases. This paper is an attempt to trace the negative effects of consumerism on people in the postmodern condition in Don DeLillo’s White Noise.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[IBU Publishing]]></dcterms:publisher>
    <dcterms:date><![CDATA[2013-05-03]]></dcterms:date>
    <dcterms:extent><![CDATA[1842]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/900">
    <dcterms:title><![CDATA[Doprinos Bosne i Hercegovine formiranju sigurnosne zajednice Zapadnog Balkana]]></dcterms:title>
    <dcterms:abstract><![CDATA[Koncept sigurnosne zajednice, iako već dugo korišten u “zapadnoj” akademskoj teoriji i praksi, nedovoljno je poznat bosanskohercegovačkoj znanstvenoj i političkoj javnosti. Ovaj članak ima ambiciju da, stavljajući pojam sigurnosne zajednice u kontekst Zapadnog Balkana i konkretnog doprinosa Bosne i Hercegovine kreiranju ove “zone mira”, omogući njegovo kontekstualno razumjevanje. Ovo razumjevanje se, prije svega, odnosi na učešće Bosne i Hercegovine u regionalnoj saradnji u oblastima koje obuhvata sigurnosni sektor a u funkciji dostizanja međusobnih očekivanja da će se nesporazumi između susjeda rješavati mirnim putem i bez upotrebe nasilja. Analizirajući kvantitet i raznovrsnost regionalnih incijativa čiji je Bosna i Hercegovina aktivni sudionik može se zaključiti da Bosna i Hercegovina regionalnu suradnju vidi kao važan segmenat svoje vanjske politike, no ostaje da se istraži u kojoj mjeri je to zbog toga što približavanje euroatlanskim integracijama zahtijeva regionalni pristup, a u kojoj zbog toga što regionalna suradnja, posebice odnos sa susjedima doprinosi i njenoj unutrašnjoj stabilnosti. Upoređujući pak, međunarodnu praksu u vidu regionalne suradnje na Zapadnom Balkanu s ponuđenim teorjiskim okvirom, moglo bi se zaključiti da se na ovom području uočavaju konture sigurnosne zajednice a u pojedinim segmentima i suštinski napreci, no da se uglavnom radi o procesima koji su poticani izvan njenog područja – ponajviše iz prostora Euroatlanskih integracija, što nudi prostor za daljnja istraživanja ovog fenomena.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[Pravni fakultet Univerziteta u Bihaću i Centar za društvena istraživanja Internacionalnog Burč univerziteta]]></dcterms:publisher>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:extent><![CDATA[3131]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/1992">
    <dcterms:title><![CDATA[Double Possessive Constructions in Bosnian]]></dcterms:title>
    <dcterms:abstract><![CDATA[Key words: Double possessives, genitive, Bosnian, English  ABSTRACT  This paper deals with the colloquial constructions in Bosnian of the type &quot;žena mi u mene&quot; (&#039;this wife of mine&#039;) that we posit to be instances of the Double Possessive Construction (DPC). Such constructions in Bosnian are both stylistically and regionally marked, somewhat archaic and typically used to express inalienable possession, i.e. possession entailing kinship and familiar objects (e.g. &#039;daughter&#039;, &#039;car&#039;, etc.). This construction has been overlooked by both formal linguistic literature and by traditional prescriptive grammars of Bosnian. This paper in turn assumes a descriptive approach to this issue and the analysis of the phenomenon of double possessive constructions in Bosnian is done within the framework of generative grammar.  In order to demonstrate the characteristics of this construction, including the restrictions that apply to this phrase, we will also compare it to the English double genitive constructions, also frequently referred to as double possessive constructions. The paper also presents the results of a small-scale survey of native speakers of Bosnian about their native speaker intuitions regarding the (un)acceptability of the word order permutations in the double possessive construction in Bosnian.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[IBU Publishing]]></dcterms:publisher>
    <dcterms:date><![CDATA[2013-05-03]]></dcterms:date>
    <dcterms:extent><![CDATA[1705]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/2026">
    <dcterms:title><![CDATA[Downfall of Traditional American Values in Tennessee Williams&#039; a Streetcar Named Desire]]></dcterms:title>
    <dcterms:abstract><![CDATA[Key words: traditional values, downfall, American nation, life styles, Tennessee Williams  ABSTRACT  Traditional American values relate to the customary standards and values which most Americans clung from the very initiation as a nation and throughout the most part of its history. It has been a common belief that these traditional values occupied a great deal of what rendered America a great and independent nation. Traditional historical American values have in the past included values such as nobility, gentility and the roles people had taken in their lives underwent changes in the twentieth century. Tennessee Williams’ play A Streetcar Named Desire provides a vivid and saddening portrayal of how the above-mentioned American traditional values, which have for a long part been the foundation of American nation. This paper attempts to discover how Williams describes the loss of such values that have been serving as the function of cement in keeping the Americans together.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[IBU Publishing]]></dcterms:publisher>
    <dcterms:date><![CDATA[2013-05-03]]></dcterms:date>
    <dcterms:extent><![CDATA[1694]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/2751">
    <dcterms:title><![CDATA[Dreaminess in the Poetry of Baudelaire, Verlaine and Petre Stoica]]></dcterms:title>
    <dcterms:abstract><![CDATA[The purpose of this paper is to highlight how the dreaminess occurs in the  poetry of Petre Stoica, Charles Baudelaire and Paul Verlaine. The method of  diacronics followed by the symbolic one, have been used in the scientific stage of the  work. Through an analytical approach there have been comments made on the lyrical  vision, which expresses a passion for dreaming. Thus we have observed the favorable  context for dreaming, that is the night. Night is the time dimension that opens an  imaginary universe like a Russian doll, and poetry itself becomes a dream you do not  want to ever wake up from. No wonder the poet is associated with the myth of  Scheherazade, who has to tell a story every night in order to survive. The theme of  death is present in the poem as it is said that during sleep the soul leaves the body and  travels (this is a Romantic specific motif), from which emerged the idea that, because  of its journey, the soul which returned to its body that was let to sleep, might not  recognize the body and the man is fated to die.  The motif of the mirror is also one that expresses duplication and also the gateway to  a mysterious beyond. Thus, the dream imagery of the three poets mentioned  previously is recognized by a variety of images whose isomorphisms reflect  overflowing exultation. One of them is the product of an agreement by which the  poetic spirit forgets its own finitude, living the bliss of integration into an  indeterminate reality, which is present in the isomorphic images of light, a dreaming  that integrates it.]]></dcterms:abstract>
    <dcterms:date><![CDATA[2011-05]]></dcterms:date>
    <dcterms:extent><![CDATA[76]]></dcterms:extent>
</rdf:Description><rdf:Description rdf:about="https://omeka.ibu.edu.ba/items/show/1850">
    <dcterms:title><![CDATA[Dreams in Scott Fitzgerald&#039;s Stories]]></dcterms:title>
    <dcterms:abstract><![CDATA[Key words: American Dream, Scott Fitzgerald, May Day, Winter Dreams, disillusionment  ABSTRACT  The theme of the American dream is explored in many American writings. The dream, in fact, had long existed before but the expression was created as recently as 1931, coined by James Truslow Adams in his book The Epic of America. He wrote of a “dream of a land in which life should be better and richer and fuller for everyone, with opportunity according to ability or achievement” (Adams, 1931). Since then it has been used with regard to almost any aspect of life in America, both negatively and positively (Frederic I. Carpenter, 1955). Some writings touch upon the increasing motivation with the dream. For example, Scott Fitzgerald, in The Great Gatsby, says to keep on dreaming despite the sorrowful death of Gatsby whose ultimate dream was to have Daisy. He fought for this dream. Through the end of the novel, Fitzgerald was very optimist noting that: “Gatsby believed in the green light…, so, beat on, boats against the current.” However, in his stories May Day and The Winter Dreams, the disillusionment is depicted through the characters who struggle to attain their dreams but also who come out with some difficulties. Fitzgerald draws not an optimistic picture of the characters, each one of whom has a different end with some sorrowful experiences. This article aims to explore the dreams of his characters in these stories, how the post war period shapes their dreams and how Fitzgerald’s view is pessimistic unlike his attitude in The Great Gatsby within the framework of American dream.]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[IBU Publishing]]></dcterms:publisher>
    <dcterms:date><![CDATA[2013-05-03]]></dcterms:date>
    <dcterms:extent><![CDATA[1755]]></dcterms:extent>
</rdf:Description></rdf:RDF>